黄铜做为装潢品，能跟大少数资料联合应用，但由于其过于鲜亮，少数情形下只是成点状或线状大批应用，起到装点的感化。
黄铜常常作为地上石材的分格，或许是地毯的压条。与木料相搭配时，少数情形下是作为门把手、铜钉、踢足板。
黄铜的名义亚光处置现在从新惹起计划师的器重，它与金属资料跟玻璃的联合能够表现十分优美的工艺技巧，并且黄铜的颜色攻破了金属的冰凉感，轻易表现人道化的空间。黄铜制造的灯具是早先风行的式样，岂但外型新鲜，并且由于黄铜作为灯具资料汗青长远，所以很轻易唤起人们的回想，存在温馨的念旧感，在酒吧、家居、宾馆中都有应用。宾馆、饭馆中为表示晶莹、富丽的作风，也常常应用黄铜饰品，既有金碧光辉的氛围，又不会显得黄灿灿的庸俗。所以，黄铜铸造铜雕佛像世人认可喜欢。
Brass is used as a decoration product and can be used in conjunction with a large number of materials. However, because it is too bright, in a few cases it is only a point or linear mass application, which plays a role in decoration.
Brass is often used as a lattice for stone on the ground, perhaps as a pressure strip for carpets. When paired with wood, in a few cases it is used as a door handle, a copper nail, and a kick board.
Brasss nominal sublight disposal is now the weight of a new engineer. It combines metal data with glass to show very beautiful craftsmanship, and the color of brass breaks through the cold sense of metal and easily expresses humanization. space. Brass lamps are popular earlier styles, but they are fresh in appearance, and because brass is used as a material for lamps, it is very easy to arouse peoples memories. There is a warm feeling of old reading in bars, homes, and hotels. There are applications. In hotels and restaurants, the style of crystal clear and rich is expressed. Brass jewelry is often used. There is a golden atmosphere and it does not appear yellow and vulgar.
铜贴真金是一种传统、特其余工艺，在古代包金工艺还不出生时，贴金与包金是统一意思，它是将很薄的金箔包贴在器物表面，起维护、装潢感化。因为有了古代包金工艺，贴金工艺成了一项奇特的工艺。传统的贴金工艺，是先将成色很高的黄金，打形成极薄的金箔片，咱们公司采取金陵98成色金箔，金箔存在精良的延展性跟可塑性、利用代价高，有很强的附着性，对一些润滑的资料有着很好的互吸性，并且都是咱们工艺巨匠纯手工一张张贴上去的，完善的黄金质感。
铜工艺，要表示出铜自身这种金属质感的同时，还须要经由过程种种工艺的伎俩，在这种特有的金属质感傍边浸显露出一种奇特的美。把铜工艺晋升到一个更高的观赏代价，如许才具有了古代铜工艺存在的意思。
铜贴真金的工艺：最美的处所是金属质感的同时名义增添了黄金质感。在两种金属叠加之下会浸显露出特有的一种光辉。这也是对贴金技巧最大的一个磨练。
铜贴真金工艺的佛像最性价比的处所是：固然内材质是铜，但名义到达了黄金工艺质感的95%的后果。即是用廉价位的用度，换到了肃穆贫贱的性价比后果，并且永恒保值。
精细锻造铜贴真金的佛像多少大长处：黄金性子稳固，抗氧化、防湿润、耐腐化、不零落、防变霉、防虫咬、防辐射，汗青开展长久，金佛殊胜肃穆，完善的金属质感，金属性圆润丰满，工艺高深、高级雅观、永恒保值，永不褪色......金铜佛像是古人留给我们的无形财富铜雕佛像贴金